Absorption
A packet runs down the incident ray into a layered absorber and leaves along the reflected ray at lower strength.
A packet runs down the incident ray into a layered absorber and leaves along the reflected ray at lower strength.
Two tones drift through a wavelength of relative phase while the meter beside them reads their sum rising and cancelling.
A measuring arm walks a polar plot while the radiation lobe narrows and opens again with frequency.
Wavefronts leave the source, spread wider as they travel and fade against the six-decibel-per-doubling ladder.
A source runs past a fixed observer while the wavefronts it emitted expand from where it was, bunching ahead of it and spreading behind.
Partials arrive one after another above a held fundamental, filling out the spectral envelope that gives the tone its timbre.
A signal bar climbs clear of a restless noise floor and holds the margin marked by the bracket.
A sound pressure trace runs steadily past the zero rule and its time ticks, one wavelength per cycle.
A burst leaves the transducer, reflects off the boundary at depth and climbs back up the beam as an echo.
A swept drive tone crosses the frequency axis and the response bar rises to its maximum as it passes the natural frequency.
An energy curve draws itself down from the impulse to the decay rule, marking the reverberation time on the axis before the room clears.
A standing wave in a room plan swings between its walls while the two pressure nodes hold still.
A level meter tracks sound pressure across a dB scale while a peak-hold tick latches at the loudest reading and decays.
A time-frequency map scrolls steadily past the frequency axis, each cell holding the energy in one band at one instant.
Twelve frequency bands rise and settle across a level grid, the spectrum shape holding while each band breathes on its own phase.